Started working in glass in the 1980’s.

www.latchezarboyadjiev.com

Latchezar Boyadjiev was born and raised in Sofia, Bulgaria, where he attended the Ceramics Department of the Academy of Applied Arts. In 1985 he was admitted to the prestigious Academy of Applied Arts in Prague, Czech Republic (formerly Czechoslovakia). In 1986, just after graduating from the Academy, Latchezar Boyadjiev defected to the United States via Italy. After settling in California, Boyadjiev worked for more than ten years in the field of optical glass, using cold work techniques to create optical glass sculptures. Since there were limits to the size of his objects, he decided to change to cast glass.

“Passage”
Latchezar Boyadjiev
30x20x4″

Shifting
Latchezar Boyadjiev
40x24x4″

Started working in glass in 1989 in Portland, Oregon.  Started working in glass in California in 2008.

www.cassandriablackmore.com

Cassandria Blackmore was born in California in 1968 and spent part of her childhood in Berkeley with her bohemian parents, an English father and her American mother. She grew up on a self sustaining farm in Oregon and learned at a very early age that everything had a process. Creativity was integral to existing. She moved to Seattle in the early 90s and worked for 20 years in the midst of the Seattle Studio Glass Movement before returning to her home state of California.

Blackmore is acclaimed for her unconventional approach to reverse painting. She is widely recognized as a pioneering artist whose work goes beyond the traditional boundaries of glass and into the contemporary realm. She studied at Lewis & Clark College, completed independent studies in Yorkshire, England, and received a Bachelor of Fine Arts degree from Pacific Northwest College of Art where her thesis was on exploring Eastern and Western perspectives on art. Her work is collected internationally and exhibited in galleries and museums across the country. She is a recipient of the prestigious Hauberg Fellowship for painting on glass. In 2006, she was honored as the Renwick Smithsonian artist of the month.

Blackmore’s recent commissions include a large scale permanent installation for the lobby of the new Waldorf Astoria. Her work is in the public collections of Neiman Marcus, Lexus Corp., Four Seasons, University of Washington, MGM Center, Floyd and Delores Jones Playhouse, Pacific Central Bank, The Hilton, Opryland, The Peninsula Hotel, City of Seattle, Washington State Arts Commission, The Yellowstone Private Collection, Deloitte Consulting and more.

“With my work you may, at times, see the painting through the transparent surface while later you might see the reflection of the environment around it thus obscuring the artist’s physical mark. Glass is a chameleon of sorts, an illusionist.”

“Iliovasilema II”
Cassandria Blackmore
2012
Reverse Painted Shattered Glass
2”L x 22”H x 22”W

“Kapnos Nebula III”
Cassandria Blackmore
2012
Reverse Painted Shattered Glass
2”L x 40”H x 56”W

Started working in glass in 1985.
www.rabbitdenstudios.com 

Warren has been Cold Working and Kiln Casting glass since 1985 and it all began in Sacramento California. His education includes four years of study with the Glass Department at the California College of Arts and Crafts (now called California College of the Arts), one semester of study in the Czech Republic, Kiln Casting at Pilchuck Glass School 1989 and Glass Engraving, also at Pilchuck in 1999. Upon leaving CCAC Warren promptly opened his own Cold Working studio, where for 12 years he has offered Cold Working services to dozens of San Francisco Bay Area glass artists. Today Warren teaches Kiln Casting Glass Sculpture and Cold Working at The Crucible, an Industrial Arts School in west Oakland California.  Warren maintains his private studio at The Crucible working full time creating his own kiln cast and engraved art work.

Started working in glass in 1964 in Boston, MA.  Has been working in glass in California for 44 years.
www.petermollica.com

I was born in Newton, MA in 1941. In 1964, I apprenticed to Chris Rufo in Somerville, MA to learn all aspects of stained glass craft. We made windows , mostly for churches in traditional Gothic style. We occasionally made “modern” windows which meant in Mondrian style. Bored with cutting and glazing these styles, I started looking around for more interesting possibilities. In 1965, I found a book by Robert Sowers which opened my eyes to windows made in Germany since the end of the war. I knew then that I had to learn to design. In 1968 I left Massachusetts and moved to Berkeley where I opened a studio to make windows for homes and free-hanging panels for myself.

In 1979, I moved my studio to my garage in Oakland. In 1988, I was commissioned to fabricate two large clerestory windows, designed by Rowan LeCompte for the National Cathedral in Washington, D.C.. I needed a bigger studio so I moved to the studio I still have in Oakland where I continue to make windows for libraries, churches, a synagogue, homes and free-hanging panels for myself and a handful of faithful collectors.

“Catherine of Siena Chapel”
Peter Mollica”
2000
Traditional stained glass techniques using hand-blown glass from Fremont Antique Glass Co.
H 8′-6″ x W 2′-9″

“Untitled 1”
Peter Mollica
1993
Traditional stained glass techniques using hand-blown “Antique” glass & machine made “fluted” glass
H 19″ x W 26″