Oben Abright Artist Bio

www.obenabright.com

Oben Abright was born in 1980 in San Francisco. The son of artists, Oben spent his early years drawing, painting and making clay sculpture. He received a BFA in glass from California College of Arts in 2004. Since 2004, he has shown with Habatat Galleries Chicago, now Echt Gallery, and Imago Galleries Palm Desert. Oben maintains a studio in Oakland, California.

Born: San Francisco, CA, 1980
EDUCATION
2004 California College of Arts, BFA, San Francisco, CA

“Can Lady – West Oakland”
Oben Abright
2009
Blow Glass, Oil Paint, Concrete
35.5x22x18″

Peggy Wilson Artist Bio

Started working in glass in 2003 at The Crucible.

Peggy  Wilson, who has a doctoral degree in Nursing Science and was a psychiatric nurse for more that 35 years, has been working with glass at The Crucible since 2003, when she took an introductory class in slumping and fusing with Mary White and Janet Heibert.  She became a steady member of the slumping and fusing lab, and took every glass class that The Crucible had to offer.  She has retired from her day job and shares Crucible studio space with Barbara Barnett and Lee Granberg.  She is currently engrossed in kilncasting and coldworking.

Warren Warren Artist Bio

Started working in glass in 1985.
www.rabbitdenstudios.com 

Warren has been Cold Working and Kiln Casting glass since 1985 and it all began in Sacramento California. His education includes four years of study with the Glass Department at the California College of Arts and Crafts (now called California College of the Arts), one semester of study in the Czech Republic, Kiln Casting at Pilchuck Glass School 1989 and Glass Engraving, also at Pilchuck in 1999. Upon leaving CCAC Warren promptly opened his own Cold Working studio, where for 12 years he has offered Cold Working services to dozens of San Francisco Bay Area glass artists. Today Warren teaches Kiln Casting Glass Sculpture and Cold Working at The Crucible, an Industrial Arts School in west Oakland California.  Warren maintains his private studio at The Crucible working full time creating his own kiln cast and engraved art work.

Ann Hollingsworth Artist Bio

Started working in glass in 2000.
www.visionswestgallery.com/artist-biography/ann-hollingsworth.html

Ann Hollingsworth is a working artist in Half Moon Bay, California, Princeton By the Sea, where she makes sculptures in a combination of materials often reclaimed from construction materials. She studied glass making at California College of the Arts from 2000 until 2005, receiving a degree in sculpture. Additional studies were done at Corning Glass Museum, Pilchuck Glass School, KALA Institute as an artist in residence and at American Indian Art Institute in Santa Fe New Mexico. Currently her piece “Nesting” is in the traveling exhibition “Conference of the Birds” a Cynthia Reeves Project. Ann’s work is represented by Visions West Gallery in Bozeman, Montana, and Denver, Colorado, and by Seager Grey Gallery in Mill Valley.

“Deep Within”
Ann Hollingsworth

“Ocean Return”
Ann Hollingsworth

Lauren Ekman Artist Bio

Started working in glass in 2000.

www.etsy.com/people/redredmelt

Lauren Ekman lives and plays in California, and has been making little treasures since 2000. Lauren’s passion is beads (and round rocks!). She also makes jewelry, but loves working on the torch and seeing the red melt of the glass as it turns into a bead. She hopes you enjoy looking at them as much as she enjoys making them and teaching others to make them.

Peter Mollica Artist Bio

Started working in glass in 1964 in Boston, MA.  Has been working in glass in California for 44 years.
www.petermollica.com

I was born in Newton, MA in 1941. In 1964, I apprenticed to Chris Rufo in Somerville, MA to learn all aspects of stained glass craft. We made windows , mostly for churches in traditional Gothic style. We occasionally made “modern” windows which meant in Mondrian style. Bored with cutting and glazing these styles, I started looking around for more interesting possibilities. In 1965, I found a book by Robert Sowers which opened my eyes to windows made in Germany since the end of the war. I knew then that I had to learn to design. In 1968 I left Massachusetts and moved to Berkeley where I opened a studio to make windows for homes and free-hanging panels for myself.

In 1979, I moved my studio to my garage in Oakland. In 1988, I was commissioned to fabricate two large clerestory windows, designed by Rowan LeCompte for the National Cathedral in Washington, D.C.. I needed a bigger studio so I moved to the studio I still have in Oakland where I continue to make windows for libraries, churches, a synagogue, homes and free-hanging panels for myself and a handful of faithful collectors.

“Catherine of Siena Chapel”
Peter Mollica”
2000
Traditional stained glass techniques using hand-blown glass from Fremont Antique Glass Co.
H 8′-6″ x W 2′-9″

“Untitled 1”
Peter Mollica
1993
Traditional stained glass techniques using hand-blown “Antique” glass & machine made “fluted” glass
H 19″ x W 26″